“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this world into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the belated ’70s and very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility plus the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic science fiction films. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the current global governmental weather.
One of several biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of new electronic restorations and brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining of this H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Furthermore, the retrospective will emphasize Szulkin’s short movie work, like the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and therefore are $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center people. Save utilizing the purchase of three tickets or higher.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages religion, their state, additionally the notion of the nuclear family members.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In a future where life on the planet is therefore wonderful that only prisoners can be used for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic Earth, where he’s welcomed by the population being a “hero,” an ignominious honor, he quickly learns, that accompany a most fate that is barbaric. Using the film’s accordingly nonsensical name from the babble of their infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, researchers make an effort to create an innovative new, flexible battle of people. an apparently ordinary item regarding the effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab bloc architecture that asian brides for sale is soviet. Szulkin’s feature that is bold, styled in sepia tones and dramatic lighting, is known as a precursor to Blade Runner , but its name additionally appears back again to a far more ancient misconception of creation and morality.
Preceded by: brand New restoration that is digital Gal in addition to Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter because of the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere centered on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a outrageous, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (his signature policy: universal free alcohol) and then institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted his career to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a myth propagated by the powers that be, and distribute, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to push away collapse that is total. Doing work in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
Brand brand brand New electronic renovation The War of this Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s follow-up to Golem starts utilizing the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) while the sound of the 1984 propaganda machine that is-esque. However when Iron dares to stop message, he makes an enemy even more than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and instantly banned, The War associated with Worlds: Next Century is a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm